CRITICISM & VALUE
was founded and produced as part of a research fellowship at Rhode Island School of Design, between 2020–2022 it began by exploring the question: “What would the artwork have to say if it could speak verbally?” It has developed from that question, to collaborative performance project — one that allows a space of creative collaboration, play, and questioning not possible in conventional artist talks. It’s experimental; there are comments and questions that might arise from behind a mask that may not arise face to face: from behind an Ife bronze sculpture, an Elizabeth Catlett lithographic print, or the face of James Baldwin or Horace Pippin, to list a few examples. There is power in images, and the image of the deceased — “the authority in death” — speaking to and about the work of a living artist makes what is said resonate differently with both artist and audience, while opening a space of experimental play.

2020—ongoing Projects:
C+V: I, II, III, IV, V, VI, VII, VIII, IX

CRITICISM & VALUE
was founded and produced as part of a research fellowship at Rhode Island School of Design, between 2020–2022 it began by exploring the question: “What would the artwork have to say if it could speak verbally?” It has developed from that question, to collaborative performance project — one that allows a space of creative collaboration, play, and questioning not possible in conventional artist talks. It’s experimental; there are comments and questions that might arise from behind a mask that may not arise face to face: from behind an Ife bronze sculpture, an Elizabeth Catlett lithographic print, or the face of James Baldwin or Horace Pippin, to list a few examples. There is power in images, and the image of the deceased — “the authority in death” — speaking to and about the work of a living artist makes what is said resonate differently with both artist and audience, while opening a space of experimental play.

2020—ongoing Projects:
C+V: I, II, III, IV, V, VI, VII, VIII, IX